Starstruck
Starstruck. My first entry in my new 8” x 8” 2026 Art Sketchbook Journal. More information about my Art available on Practicing Art Substack. Please subscribe to this site, and/or the Substack to support my work.
Starstruck is an 8 by 8-inch painting created with opaque watercolor, a compact study within my 2026 Sketchbook Series. This work marks a deliberate return to art made purely for personal exploration, bridging the tangible American landscapes with an internal, expressive geography beyond literal representation.
The painting presents a layered landscape designed to engage both eye and imagination. In the foreground, a patch of yellow and orange shapes suggests a field of flowers or the turn of autumn foliage. This warmly colored base grounds the composition and creates an inviting vitality. Moving back, hills rise in deep purples and greens, their rich tones providing weight and dimensionality to the scene. In the distant background, a gradient of blues describes mountains or hills shrouded in mist—a subtle, cool contrast to the foreground’s warmth. Above all, the sky combines blue and white in a soft transition, anchored by a bright, white star near the painting’s center. This element draws the eye upward, serving as the artwork’s focal point and bringing a quiet celestial presence into the landscape.
The conception of Starstruck stems from my ongoing investigation into how landscapes can communicate beyond exact topography. I seek to express the rhythm and energy of place through color and form rather than direct depiction. Employing the vivid language of Fauvism and Expressionism, this piece explores the dynamic tension between dark anchoring colors—the “dark heart” of purples and blacks—and the pulsating interplay of complementary hues, especially the cool mountain blues set against warm embers of yellow and orange.
Working within the small, 8-inch square format shaped the painting’s process and effect. This sketchbook scale demands precision and economy, compelling me to focus on essential gestures and harmonies rather than expansive detail. The medium of opaque watercolor lends itself well to this approach, balancing translucency and solidity to build depth and texture without overwhelming the intimate surface.
Starstruck is a meditation on tranquility and attention—how quiet natural moments hold a vibrant, almost electric quality. It invites a closer look at the interaction of light, atmosphere, and form as they converge to create a serene yet dynamic landscape. This piece reflects my ongoing commitment to “practicing art” where each new page is a space for experimentation and technical inquiry, celebrating the process of discovery that transforms observation into interpretation.
The 2026 Sketchbook Series serves as an artistic dialogue between seen environment and internal vision. Through Starstruck, I continue exploring how rhythm, color contrast, and compositional balance evoke the pulse of the land, offering viewers a moment to pause, reflect, and connect with both outer scenery and inner landscape.
My Art Practice Process includes using grayscale filtering to evaluate the values used in the piece and the composition.
