Small Squares, Big Sprints: Painting for the Sherman Art Dash
Ravens an Horizons 5” x 5” inch gallery canvas gouache paintings for the 2026 Art Dash.
There is a unique kind of adrenaline that comes from knowing your artwork will eventually be the finish line of a literal race.
I’ve recently been at my drafting table working on a bird-themed prompt for an upcoming event that is very close to my heart: the Art Dash. This isn't your typical gallery opening where patrons sip wine and contemplate brushwork in hushed tones. The Art Dash is a high-energy fundraiser for the Sherman Cultural District where participants buy a ticket that grants them a meal and a "dash."
When the signal goes off, "Dashers" race across the room to claim the piece they’ve had their eye on from an array of 5" x 5" canvases. Having participated as both an artist and a Dasher every year, I can tell you—the stakes feel surprisingly high when you’re eyeing a favorite painting from across the room!
The Laboratory: My Art Sketchbook Journal
Before these Ravens ever touched the final canvas, they lived in the pages of my Art Sketchbook Journal. This journal is my sanctuary for experimentation—a place where I can invite chaos, seek out destruction, and eventually find renewal in a new concept.
For this project, I used my sketchbook to solve the "puzzle" of the ravens' iridescent feathers. I tested how different watercolor washes reacted to the gouache layers on top, exploring how much of that neon magenta I could let "peek through" the indigo shadows. My journal allows me to fail safely and develop the muscle memory needed for the final piece. It’s where I decide if a composition is strong enough to survive a sprint across the room.
The Subjects: Ravens and Horizons
For this call, I prepared two distinct pieces in gouache on canvas. Working on such a small scale (5 imes 5 inches) requires a balance of precision and punchy visual impact.
The Ravens: I wanted to capture the intelligence and "vocal" nature of these birds. Instead of a literal black, I leaned into my Fauvist and Impressionist influences, layering indigos, violets, and electric blues. By setting them against a vibrant, pulsing magenta sky, I hoped to create a sense of iridescence that feels alive.
Horizons: As a counterpart to the birds, I created a tiny, glowing horizon. My work is often inspired by the sacred cycles of creation and renewal, and there is no better symbol for that than the transition of light at dawn or dusk.
A Study in Hue and Value
Technically, these pieces were a journey from soft watercolor washes to the opaque authority of gouache.
In the Ravens, the composition is intimate and "monumental" despite the size. I focused on pushing the values—ensuring the deep shadows under the beaks and between the feathers provided enough structure to "pop" against the warm background. In the Landscape, the challenge was atmospheric perspective; using high-contrast silhouettes in the foreground to give a five-inch square the feeling of miles of depth.
Why We Dash
Beyond the fun of the sprint, the objective is the growth of our local creative community. Supporting the Sherman Cultural District ensures that our corner of Texas remains a place where art is accessible, celebrated, and—occasionally—sprinted for.
As an artist, there is a profound joy in watching someone value your work enough to run for it. It reminds me that art isn't just a solitary practice of putting paint to canvas; it’s a communal event that brings us together to celebrate the beauty in the small squares of our lives.
